Projects — Artistic Works & Installations
My practice unfolds through installation as a spatial and material form of inquiry. I create environments shaped by weight, suspension, fragmentation, and proximity—spaces where memory is not simply told but felt as a physical condition. Rather than functioning as narrative, memory emerges through material and spatial experience.
Each work grows out of long-term, place-based research—particularly in Hebron and Bethlehem—and is grounded in ongoing engagement with the forces that shape and reshape space, bodies, and time. These installations are not static; they respond to context and transformation.
Material in my practice is both structure and method. Stone, mirror, soil, thread, glass fragments, and architectural supports come together in constellations that hold tension, pressure, and instability. These materials animate the space and choreograph the viewer’s movement, translating lived realities into tactile, spatial terms. Weight is borne, surfaces fracture, and reflection becomes a field of shifting perspectives—inviting the viewer to reconsider their own position within the work.
The archive enters these installations not just as content but as a conceptual framework. It informs how materials are layered, suspended, or withheld—evoking memory as a dynamic, reconfigurable presence. In this way, the installations act as open systems—attuned to absence, accumulation, and the traces left behind by rupture or displacement.
Public space, collective processes, and situated research are integral to the development of each project. Workshops, conversations, and fieldwork often precede or accompany the installations, allowing the city itself to shape the work. These projects are not fixed statements, but lived situations—unfolding across multiple temporalities and open to shifting interpretations.
Below is a selection of installation-based works developed over the past several years.
