Projects — Artistic Works & Installations
Between the Eye and the Soil
My practice unfolds through installation as a spatial and material form of inquiry. I construct environments shaped by weight, suspension, fragmentation, and proximity, where memory is encountered as a physical condition rather than a narrative theme. Each work develops through long-term research rooted in place, particularly Hebron and Bethlehem, and grows from sustained engagement with the forces that reorganise space, bodies, and time.
Material operates as structure and method. Stone, mirror, soil, thread, glass fragments, and architectural supports form constellations that hold tension, pressure, and instability. These elements activate the space and guide the movement of the body, translating lived conditions into tactile and spatial experience. Weight is carried, surfaces are fractured, and reflection becomes a shifting field that repositions the viewer within the work.
The archive enters the installations as a conceptual and structural presence. It informs how elements are assembled, layered, suspended, and withheld, shaping an understanding of memory as dynamic and continually reconfigured. The works function as open spatial systems, attentive to accumulation, absence, and the traces left by enforced transformation.
Public space, collective processes, and situated research remain integral to the development of these installations. Workshops, conversations, and fieldwork often precede or accompany the works, allowing the city itself to participate in their formation. The projects hold multiple temporalities and readings, unfolding as lived situations rather than fixed statements.
Below is a selection of installation-based projects developed over recent years.
This Soil is People
What Stone Cannot Bear
Between the Eye and the Soil
What is Unseen
